G# Gypsy Minor — Cavaquinho
G# Gypsy Minor, fingered across 4 strings with home lit throughout — fill material for the space between chops.
G# Gypsy Minor is 7 notes to the octave (world family), drawn here across the Cavaquinho's DGBD strings with every G# marked, so home stays visible from anywhere in the pattern.
Harmonic minor with a raised 4th — two wide, yearning steps (b3 to #4, b6 to 7) give it a smoldering, theatrical intensity. Dark, exotic, and full of drama.
Heard in: Hungarian and Romani folk, Liszt's Hungarian Rhapsodies, gypsy jazz, klezmer, and neoclassical metal.
Four strings tuned DGBD put a scale somewhere honest and a little cramped: two or three notes to a string, no spare string to hide on, and every open pair climbing rather than doubling back. These maps mark every root so the top voice never loses home mid-run.
Practise it as a fill, not a ladder: pick four of its notes, drop them into the rests of a batida cell, then slide the same four to the next position. That is how this instrument actually uses a scale — a top voice riding above the chop, not a run played alone.