Cavaquinho Warrior character art

The Cavaquinho, Batida First

Every page here speaks cavaquinho as a first language: which eighths get a down stroke, which get an up stroke, which get chopped into a mute, and what note the chop puts on top.

Free, playable references for the cavaquinho — every voicing charted for the D–G–B–D strings, with the batida cell it can chop through alongside and every derived number recomputed in CI.

How It Works

1

Start From a Root

Pick a root and a quality — every charted voicing arrives on the D–G–B–D strings with its frets and fingers named, drawn for this neck and no other.

2

Read It String by String

Charts name what each string carries, scale maps mark every root, and the cell tables say which eighth gets a down stroke, an up stroke, or a mute — and which are silent.

3

Set It Moving

Playback on every voicing, drills with tab and sound, and three computed cells to chop any chord through — a chord you can only hold still is a chord you have not learned yet.

The Batida's Home

Cavaquinho Warrior is the Warrior Network's deep home for the cavaquinho. On a cavaquinho the interesting question is rarely which chord — it is which eighths get a down stroke, which get an up stroke, and which get chopped into a mute. So this site is built from the batida outward: chords charted ready for a cell to chop through, scales mapped as raw material for the fills between cells, and every derived number recomputed in CI rather than copied from a book.

Cavaquinho Questions, Answered

More on the full FAQ page.

What makes Cavaquinho Warrior different from a general chord site?
Every page is written from the batida inward: chords are charted ready for a cell to chop through, scales are mapped as material for the fills between cells, and the three batida cells are recomputed slot by slot in CI rather than copied from a book.
What tuning does this site use?
D–G–B–D, the Brazilian standard the registry models — four single strings whose open notes already spell a G major triad, with the two outer strings sounding the same D an octave apart.
I play ukulele or guitar. Will any of this carry over?
The left hand carries over quickly — four strings tuned in a familiar-feeling shape. What is new is the right hand's job: a cavaquinho states rhythm as a repeating batida cell rather than a strum, and the cell pages teach exactly that.
Do I need to read music to use this site?
No. Everything here is charts, tab, and playback — string numbers, fret numbers, and audio on every voicing and drill, so the ear can vet a shape before the fingers commit.
Does any of this cost money?
No — every chart, cell table, drill, and tool on Cavaquinho Warrior is free, with no ads, no account, and no upsell waiting at the end.