The Cavaquinho, Batida First
Every page here speaks cavaquinho as a first language: which eighths get a down stroke, which get an up stroke, which get chopped into a mute, and what note the chop puts on top.
Free, playable references for the cavaquinho — every voicing charted for the D–G–B–D strings, with the batida cell it can chop through alongside and every derived number recomputed in CI.
One Neck, Three Cells
One instrument covered deeply rather than four covered thinly: the four-string cavaquinho, plus the three batida cells that turn its chords into rhythm.
Cavaquinho
- Tuned D–G–B–D — the open strings spell G major
- 4 single steel strings on one fretted neck
- The chop engine of samba and choro
Samba
- Four mutes in eight slots
- The busiest chop of the three cells
- A struck final eighth — the mute that pushes
Teleco-Teco
- Six ringing strokes, two mutes
- A near-constant down-up chug
- The busiest strike count of the three
Choro
- No mute anywhere in the bar
- Three rests, room to breathe
- The settled cell
What Lives Here
Chords
Every key and quality charted string by string, frets and fingers named — ready for a batida to chop through.
Scales
Note maps across the four strings with every root marked, ready to be phrased as fills between cells.
Fretboard Explorer
Light up any set of notes across the DGBD neck — small enough to actually memorise.
Progressions
Each key's chord family, arranged for the roda — see which chords the turnaround leans on.
Exercises
Daily chopping and timing drills with tab and playback built in.
The Three Batidas
Samba, teleco-teco, choro — every cell recomputed slot by slot in CI, mutes included.
Chord of the Day
The network's shared daily pick — read as a top voice and an open-string ledger.
Free Tools
Tuner, metronome, theme builder — in the browser, no sign-up.
How It Works
Start From a Root
Pick a root and a quality — every charted voicing arrives on the D–G–B–D strings with its frets and fingers named, drawn for this neck and no other.
Read It String by String
Charts name what each string carries, scale maps mark every root, and the cell tables say which eighth gets a down stroke, an up stroke, or a mute — and which are silent.
Set It Moving
Playback on every voicing, drills with tab and sound, and three computed cells to chop any chord through — a chord you can only hold still is a chord you have not learned yet.
The Batida's Home
Cavaquinho Warrior is the Warrior Network's deep home for the cavaquinho. On a cavaquinho the interesting question is rarely which chord — it is which eighths get a down stroke, which get an up stroke, and which get chopped into a mute. So this site is built from the batida outward: chords charted ready for a cell to chop through, scales mapped as raw material for the fills between cells, and every derived number recomputed in CI rather than copied from a book.
Go Deeper
Guides and references worth bookmarking: the three cells · samba · teleco-teco · choro · the daily top voice · the metronome · all tools. Want the same chord on guitar, ukulele, or any of 20+ string instruments? Our sister site String Warrior compares them all — this site goes deep where that one goes wide.
Cavaquinho Questions, Answered
More on the full FAQ page.
- What makes Cavaquinho Warrior different from a general chord site?
- Every page is written from the batida inward: chords are charted ready for a cell to chop through, scales are mapped as material for the fills between cells, and the three batida cells are recomputed slot by slot in CI rather than copied from a book.
- What tuning does this site use?
- D–G–B–D, the Brazilian standard the registry models — four single strings whose open notes already spell a G major triad, with the two outer strings sounding the same D an octave apart.
- I play ukulele or guitar. Will any of this carry over?
- The left hand carries over quickly — four strings tuned in a familiar-feeling shape. What is new is the right hand's job: a cavaquinho states rhythm as a repeating batida cell rather than a strum, and the cell pages teach exactly that.
- Do I need to read music to use this site?
- No. Everything here is charts, tab, and playback — string numbers, fret numbers, and audio on every voicing and drill, so the ear can vet a shape before the fingers commit.
- Does any of this cost money?
- No — every chart, cell table, drill, and tool on Cavaquinho Warrior is free, with no ads, no account, and no upsell waiting at the end.







