Progressions in F# — Cavaquinho

F# major harmonises to F# – G#m – A#m – B – C# – D#m – F°; F# minor to F#m – G#° – A – Bm – C#m – D – E. Each chord links to its Cavaquinho voicings, so a set in F# becomes a short list of shapes before the roda ever starts playing.

Most of what a cavaquinho plays in a roda lives on two or three of these chords at a time — a samba turnaround loops, it does not wander. Choose the pair the tune leans on, pick a batida cell to chop them with, and let the repetition carry the rest.