Progressions in C# — Cavaquinho

C# major harmonises to C# – D#m – Fm – F# – G# – A#m – C°; C# minor to C#m – D#° – E – F#m – G#m – A – B. Each chord links to its Cavaquinho voicings, so a set in C# becomes a short list of shapes before the roda ever starts playing.

Most of what a cavaquinho plays in a roda lives on two or three of these chords at a time — a samba turnaround loops, it does not wander. Choose the pair the tune leans on, pick a batida cell to chop them with, and let the repetition carry the rest.